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简介：20 岁的林森（姚红贵饰）是女大学生，父母经营诊所，母亲因牵涉医疗事故必须向病人赔偿；她为了帮助母亲筹款赔偿，化名“小雨“，瞒着家人偷偷去赚钱。林森跟男友参加聚会时，感到乳房胀痛，发现自己怀孕了。她将这事隐瞒男友，并说服母亲和索偿的病人，让她化名“银芳“将孩子生下来，代替金钱作赔偿。林森怀孕快十个月，即将临盆；这时春节已临近，疫情爆发，林森在家隔离时，男友突然来找她，没想到他的要求竟是不认孩子

简介：本片讲述了一个奇幻的冒险故事，从城镇来到城市的男孩，因为自己的怯懦无法适应全新的环境和交到好朋友，从而陷到手机的世界无法自拔，因为手机而带来的一场奇幻之旅。在异世界里他们有朋友，没有手机他们就是一群纯粹的在一起玩的朋友。

简介：为了帮助她的儿子，她的儿子患有脑瘫，巴尔巴拉将她的家人带到印度进行实验治疗。

简介：　　由南奈利．约翰逊导演的一部故事构想相当巧妙的间谍斗智片。
　　描述一位派驻西柏林的美军下士，被俄国间谍劫持往东柏林作人质，目的是要跟美国交换一位德国将领。负责此事件的美军上校，以其人之道还治其人之身，将被俘下士救了回来。节奏紧凑，特别是片中的几个悬疑镜头让人回味无穷，娱乐性也颇为浓厚。

简介：山西太行山麓寨影沟大队，富农出身的赵有才自从当了大队会计以后，表面上很积极，背后却干着不可告人的勾当，队里一直怀疑他盗窃队里的小麦，但一直没有抓住证据。群众有意见，在大队的黑板报用打油诗批评他：“当会计，有意义，坐在屋里不下地，打打算盘拿拿笔，现成粮食送家里，说是干部算干部，说是懒汉也可以。”赵有才看了十分生气，找到党支部书记周老实诉苦，周书记对赵的假相早有戒备，对其进行了严厉的批评。赵心里不服气把账本交给周书记，甩手而去。正巧接替赵有才工作的姜喜喜来到大队部，使赵有才为之一震。姜喜喜是赵有才的姐夫，原来是田家川大队社员，抗日战争时期在八路军当过炊事员，立场坚定，爱憎分明。他来到寨影沟大队后，赵有才一方面认为姜与自己是亲戚关系，一方面认为姜的文化水平低，所以觉得自己的问题根本不可能暴露。姜和赵虽是亲戚关系，但姜不循私情，担任会计以后全心全意为社员服务...

简介：《我是你的眼》改编自法国畅销小说《点字之心》，备受瞩目的法国古典音乐美少女亚莉克·丝薇洛特跨界领衔，以自身经验完美诠释主人翁的精湛琴艺，以及备受瞩目的法国超萌新星尚史丹杜巴克（Jean-Stan Du Pac），并集结法国凯萨奖男星帕斯卡艾勒柏（Pascal Elbe）《夏日时光》男星查尔斯贝林（Charles Berling）等实力派演员，是继《贝利叶一家》后，法国影坛2017年最新的感人力作。

简介：一个女人庆祝她40岁生日的方式是让她的三个最好的朋友来和她和她的丈夫一起度过一个长周末。这名妇女在过去两年中一直坐在轮椅上，这导致她把自己孤立在家里。她的丈夫陪在她身边，因为他对导致她坐上轮椅的车祸感到内疚。在为期三天的庆祝活动中，我们发现每个人都在为自己的生活和身份而奋斗。当一个最好的朋友犯了一个可怕的错误，在她的生日那天背叛了她，每个人都立即被迫不安地审视自己的生活和局限性。

简介：

400年前，德川家族和丰臣家族爆发了著名的大阪夏之阵，在这场惨烈的攻城战争中，丰臣家被屠戮殆尽。这段残酷的历史改变了历史的命运，也久久影响着当下的日本。2011年7月的一天，日本会计检查院派出素有“鬼之松平”之称的松平元（堤真一 饰）及其搭档鸟居忠子（绫濑遥 饰）、旭•甘斯布（冈田将生 饰）前往大阪对当地进行财务审计。当他们来到名为OJO的团体时，这里种种奇怪的迹象让松平起了疑心。松平渐渐觉察到，似乎有某种神秘的力量左右着大阪及当地的人民。随着调查的深入，历史的神秘面纱被解开，一个鲜为人知的国度呈现在松平一行的面前……
　　本片根据万城目学的原作改编。

简介：戒色师第49代传人姜子玲在一次和纵色族战斗中被屌丝阿星意外乱入而复活了妲己，姜子玲的法力更传到了阿星体内，阿星在姜子玲的逼迫下要成为戒色师并通过戒色训练来阻止妲己企图用直播来吸取全人类精气的计划。但后来阿星却发现自己一直好色的真相竟然是因为子玲在十年前的一次事件让他色气入体从而变得身体无法自控，不过阿星最终明白了子玲的苦衷，他参透了戒色的真谛并不是一个人无欲无求而是两个人真心相爱，两人最终联手消灭了妲己拯救了世界。

简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

简介：外星人首领得知能量体存在在地球上，为了得到能量体。首领派球球去地球查探能量体的下落，并夺得能量体。球球来到地球后，在偶然的机遇下得知能量体在四眼的身边。便开始接近四眼等人，以朋友的身份一直在四眼等人身边潜伏。渐渐地球球在大家的相处下渐渐发现人类都有一颗善良的心。开始觉得自己不应该再继续这样错下去，便开始动摇。首领一直没有得到消息，便派蛋蛋来到地球查探。蛋蛋决定自己下手，阴差阳错几人开始了一场搞笑而又惊险的旅行。两人决定放弃，就在大家都以为能和平时，外星杀手附身小美开始了一场激战。直到这时，大家才知道能量体是四眼的妹妹，妹妹为了自己哥哥的性命决定随外星杀人离开，最终四眼获救，却与妹妹从此分别了。